eye of
abalone

Wood carved by hand.
Knowledge passed forward.
Culture kept alive.

THE ARTIST

Guy Louie Jr. is an Ahousaht (Nuu-chah-nulth) carver, traditional singer, and cultural practitioner based in Victoria, BC.
Raised in Victoria, he began reconnecting with Nuu-chah-nulth culture as a teenager — learning songs from his grandfather Hudson Webster, and joining weekly community drumming sessions at Fernwood Community Centre that have gathered since 1996.
After 18 years as a carpenter and two years of cancer treatment, Guy apprenticed with master carver Moy Sutherland Jr. — learning traditional and contemporary Nuu-chah-nulth formline, old and modern ways of Northwest Coast art. He brings a carpenter’s precision and refusal to cut corners into every piece he makes.

Guy Louie Jr.

A father of eight, he continues building his practice while working toward a gallery space that better serves Indigenous makers. In 2018 he performed Ahousat, a Bear Song at Victoria’s Belfry Theatre. In 2021 he joined master carver Tim Paul on a UN-commissioned totem pole in Port Alberni.
The carving is how it starts. What it builds is something bigger. Working out of Archer Community Hub, Guy mentors youth one-on-one and in small groups — teaching them to carve, but also to slow down, pay attention, and connect with who they are.

Mission

To create meaningful Indigenous carvings while preserving culture through hands-on teaching and mentorship.

Vision

To pass knowledge forward and build strong connections between art, identity, and community.

Carvings

Mentorship & Leadership

more than carving

Archer Community Hub — Leadership Team
Guy serves on the leadership team at Archer Community Hub in Victoria — a creative space supporting artists, makers, and community members. In this role, he brings Indigenous cultural practice, carving, and mentorship into the hub, helping shape it as a place where culture, creativity, and community intersect.
The carving is how it starts. What it builds is something bigger. Working out of Archer Community Hub, Guy mentors youth one-on-one and in small groups — teaching them to carve, yes, but also teaching them to slow down, pay attention, and connect with who they are.
Fall 2026 / 27 — Youth Mentorship Program

CULTURAL LEARNING

CREATIVE CONFIDENCE

HANDS-ON SKILLS

“This isn’t an after-school program. It’s an investment in identity — showing young people that their culture is something worth learning, worth carrying, and worth passing on.”

REACH

expanding the reach

Guy’s work is being positioned for national and international exposure through targeted outreach to Indigenous media, arts publications, museums, galleries, cultural institutions, and curators across Canada, the U.S., Europe, Australia, and New Zealand.
From Northwest Coast carving to global Indigenous art spaces, the goal is simple: put the work in front of the right people.

Land Acknowledgement

We respectfully acknowledge that this work takes place on the traditional territories of the Lək̓ʷəŋən Peoples, represented today by the Songhees Nation and Esquimalt Nation, as well as the traditional homelands of the Nuu-chah-nulth Peoples, including the Ahousaht First Nation. We honour the generations of artists, knowledge keepers, singers, and carvers who have carried these teachings forward since time immemorial.

Land Territory

We respectfully acknowledge that this work takes place on the traditional territories of the Lək̓ʷəŋən Peoples, represented today by the Songhees Nation and Esquimalt Nation, as well as the traditional homelands of the Nuu-chah-nulth Peoples, including the Ahousaht First Nation. We honour the generations of artists, knowledge keepers, singers, and carvers who have carried these teachings forward since time immemorial.
Get in Touch

Contact

For commissions, mentorship inquiries, collaborations, or community partnerships — reach out directly.

Eagle Panel - 36"

A circular eagle design built from crisp, interlocking formline shapes that read as both powerful and finely controlled. High-contrast black and gold elements sharpen the composition, while abalone accents flash across the surface, giving the piece a shifting, luminous energy as light hits it from different angles. For Guy Louie Jr., the eagle symbolizes devotion and precision; focused attention, discipline, and clear intent.